I was introduced to Chitra Banerjee Divakaruni's Sister of my Heart by one of my guy friends. He did not care too much for that book and mentioned he was in some way related to the author and got an autographed copy of the book from her. It was in fact intriguing to find this book amidst his sci-fi and Michael Crichton collection, which I didn't care too much for. I borrowed (and did not return) the book and I am glad I did. I loved the book and read a lot more of Divakaruni.Divakaruni's latest, The Palace of Illusions tells the time-tested story of Kauravas and Pandavas, their parents, their siblings, their wives and rest of their kin. Unlike the B R Chopra version narrated by Samay or the original version narrated by Vaishampayana, in this book, the story of Mahabharata is retold by Draupadi or Panchaali as she preferred to be called. Like they say, there are two sides to every story and it is very interesting to hear Draupadi's version, presumably the female lead in a story full of men.
As the narrator, Draupadi takes us along in her journey of life beginning from her father's palace where she grew up feeling lonely except for the friendly conversations with her brother Dhrishtadhyumna and the occasional visit from Krishna that she looked forward to with excitement. She reveals her intimate thoughts before and during her Swayamvara and her life afterwards with the Pandavas. Her struggles as a newly married, that too to five men, her reign as the queen in the palace of illusions built by the best architect, the biggest insult of her life, her life in the forests, everything, narrated by the character herself, remind the readers that despite the eons passed since then, nothing much has really changed for women. We still have the same power struggle with the overly possessive Mother-in-law, we still look up to our men to fight for our honor and we still keep wondering if we picked the right man!
Although the story is nothing new, the author inserted interesting tidbits, making the book a delicious read. The secret love shared by Draupadi and Karna for each other and the way each of the Pandavas loved Draupadi, are such little pieces that don't really alter the story, but justify each of the characters' motivation for behaving the way they did. Despite narrating a story set long before the civilization as we know today existed, the contemporary language with a generous dose of humor and irony makes the characters all very real. Here is an example of Divakaruni's wit as she describes Draupadi's fears of being cursed by sage Durvasa:
Durvasa was known for his creative curses. No doubt Duryodhan had sent him here hoping he would would burden us with some obscure, incurable disease or metamorphose us into exotic fauna.To reflect the wisdom of her characters, Divakaruni also has some very thought-provoking lines which we sure could use in our current war-ridden world. The irony in Duryodhan's words after being defeated in Kurukshetra made me wonder what the real meaning of winning is!
I am going to heaven to enjoy all its pleasures with my friends. You will rule a kingdom peopled with widows and orphans and wake each morning to the grief of loss. Who is the real winner, then, and who the loser?Being raised on a weekly dose of Mahabharata on TV, the story is one of my favorites. The book narrates the events in a non-spiritual context, reveals the complexities of their actions and judges the characters to human standards. And this is what made it real interesting to me. Besides, the cynicism in Draupadi's tone is something that I completely identified with. The book forces you to look at all the well-known characters with a new eye. I always liked Duryodhan and Karna much better than the Pandavas and the book reinforced my idea. I declare Karna my favorite character in the story and join Draupadi to wonder what course it would have taken if he wasn't stopped from competing in her Swayamvar.
